| Classical Works |
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All classical works which are composed by
N. Doğa Ebrişim
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Orchestral Works
| Op.2 |
Yasak,
2002
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| Op.11 |
Uykusuzluk,
2005 «a neo-impressionist orchestral piece, which has a minimalistic language. Very austere loud chords, the thrusting main theme with an unusal ryhthm, the melodies that have been set up on breath-like patterns, and the combination of these structures communicate the restless thoughts during a sleepless night. Unexpected chords, dynamics and tempo changes not only give the effect of an uncontrolled journey in mind, but also make us feel the inquietude and the rush while falling asleep.» |
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| Op.18 |
Narkolepsi,
2009 «a neo-impressionist orchestral piece, which has a minimalistic language and an unusual form. The flat and irritating chord of the winds represent real life, which is interrupted by various dreams throughout the day. Sometimes we try to escape from these dreams and sometimes they escape from us. Sometimes we picture ourselves as heros and sometimes as victims. And we can not control our dreams unless we can control our sleep.» |
Piano Music
| Op.3 |
Pazartesi
Sonatini,
2003 |
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| Op.8 |
Yolculuk,
2004, 2 Movements |
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| Op.9 |
Daktilo,
2005 «minimalistic piano sequences which has motions acting like a typewriter.”
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Op.12 play |
Yalnız,
2005 «a loneliness motive which is traveling between different harmonies which are symbolizing different societies. » |
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| Op.13 |
Kırmızıya Mavi,
2005 «different motives heaped up randomly and the order of them depend on the player. a contemporary music which has humanistic categorization philosophy in every single note. » |
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Op.15 play |
Music with Missing,
2006 «a piano piece which is is full of traditional turkish rhythms but the harmonization and the creation of the music is based on classical harmony. the missing thing is just a chord which is not used and symbolizing ‘imperfection’ »
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Chamber Music
| Op.1 |
Düzen,
2002 String Quartet |
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| Op.4 |
Klarinet için Şarkı,
2003 Clarinet with Piano
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| Op.5 |
Gün Valsi,
2003 Flute with Piano |
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| Op.6 |
Keman
için Şarkı,
2003 Violin with piano |
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| Op.7 |
Beklenti,
2004 Cello with Piano Contrabass with Piano |
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| Op.10 |
Sanrı,
2005 Flute with Piano «a flowing theme by flute with a minimalistic accompaniment by piano. » |
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Op.14 play |
Logos in
3,
2005 Piano with Cello «a minimalistic piano piece with an accompaniment of cello. all motives and form are composed on a basic harmonic roots of the number “ three” which is symbolizing “perfection” »
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Op.16 play |
Sei Du
Mein Trost,
2006 Flute, Mezzo Soprano, Cello, Piano and Speaking «a postmodern theater scene without acting is created with the text "Sei du mein trost" which is written by Johann Timotheus Hermes. and some emotional-intrumental effects are combined with the minimal patterns. the most important thing is the expression of the words and the effects inside the minimal sentences. by the way, the minimal sentences are based on Mozart's lied: "Sei du mein trost".»
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| Op.17 |
Albanian
Pavement,
2006,
2 movements Flute, Clarinet and Cello «the first example of minimalistic serialism. the music has composed in a form which is founded by n.d. ebrisim. A motive transposes itself continuously in quinte-circle. Three instruments are playing this sequence in different tempos and different starting notes. It creates an effective, continuous music with just one motive. »
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